求这篇文章的翻译。。谢谢各位大神 不要用翻译机的。。 再次谢过达人。。

Acrassicauda managed to escape their war-torn
homeland with some talent and a hell of a PR hook. This, their debut four-song EP, isn't much different from the work of a zillion young U.S. or European bands; it's the sum of their influences, with a few glimmers of originality here and there.
Middle Eastern rhythms and vocal chanting crop up, notably on "Garden of Stones" (which also features a coiled-snake guitar solo from Tony Aziz), and "Massacre" begins with a brief spoken prelude in Arabic. But there's more Metallica and Testament (whose guitarist, Alex Skolnick, produced the record) here than anything else. Vocalist Faisal Talal has a pretty evocative and multi-dimensional voice — he can shift from clean singing to a clenched-throat roar that recalls Lair of the Minotaur's Steven Rathbone, and the guitar riffs are loaded with '80s thrash crunch. These guys are classicists. (In a possibly unintentional tribute to Metallica, Acrassicauda's drummer, Marwan Riyak, is the weak link — he always seems to be slightly lagging, and never throws anything truly complex or intricate into the mix.) They throw a few slightly more modern touches into the EP's final track; "The Unknown" features slightly more downtuned, minimal riffing during the verses, and Talal tries on a brink-of-madness vocal in the style of Slipknot's Corey Taylor, while his bandmates deliver gang shouts on the thrashy chorus. ~ Phil Freeman, Rovi
是的

Acrassicauda managed to escape their war-torn homeland with some talent and a hell of a PR hook. This, their debut four-song EP, isn't much different from the work of a zillion young U.S. or European bands; it's the sum of their influences, with a few glimmers of originality here and there.
怀揣着一些音乐天赋和高超的公关手段，这个Acrassicauda组合成功逃离他们饱受战争蹂躏的家乡。他们这张四首歌曲的迷你专辑，与其他无数的年轻欧美乐队相比没什么不同，反而是他们总体的影响，偶尔会有几处独创性的闪烁点。

Middle Eastern rhythms and vocal chanting crop up, notably on "Garden of Stones" (which also features a coiled-snake guitar solo from Tony Aziz), and "Massacre" begins with a brief spoken prelude in Arabic. But there's more Metallica and Testament (whose guitarist, Alex Skolnick, produced the record) here than anything else. Vocalist Faisal Talal has a pretty evocative and multi-dimensional voice — he can shift from clean singing to a clenched-throat roar that recalls Lair of the Minotaur's Steven Rathbone, and the guitar riffs are loaded with '80s thrash crunch.
"Garden of Stones" 显著地突现中东的节奏和哼唱（其中还有Tony Aziz的一段吉他独奏），
而 "Massacre" 则以阿拉伯口语为前奏。但这张专辑比Metallica 和Testament乐队的重金属音乐元素更加突出（此唱片的制作人Alex Skolnick，是Testament的吉他手）。主唱Faisal Talal拥有一副很有感召力及多维式的嗓子 – 他可以从清纯的唱调转为抓紧喉咙的吼叫，让人想起Lair of the Minotaur乐队的Steven Rathbone，而即兴的吉他演奏充满80年代的鞭挞金属音乐风格。

These guys are classicists. (In a possibly unintentional tribute to Metallica, Acrassicauda's drummer, Marwan Riyak, is the weak link — he always seems to be slightly lagging, and never throws anything truly complex or intricate into the mix.) They throw a few slightly more modern touches into the EP's final track; "The Unknown" features slightly more downtuned, minimal riffing during the verses, and Talal tries on a brink-of-madness vocal in the style of Slipknot's Corey Taylor, while his bandmates deliver gang shouts on the thrashy chorus. ~ Phil Freeman, Rovi
这群伙计是古典主义者（也许只是无意识地向Metallica乐队致敬；Acrassicauda的鼓手Marwan Riyak是该组合的薄弱环节 – 他似乎总是稍微落后，对乐曲的组合从未有过任何复杂或精致的展现）。在迷你专辑的最后一首歌"The Unknown"里，他们添加了一些更时尚的元素，在诗句部分降低音调，减少吉他的即兴演奏，而Talal 则尝试使用类似Slipknot乐队的Corey Taylor那接近疯狂的唱法，而他的队友则在鞭挞金属式的合唱时，结伙呐喊。（作者Phil Freeman, Rovi）。

注：Acrassicauda是沙漠黑蝎子的拉丁名称。该组合是由Faisal Talal (主唱、吉他手), Tony Aziz (吉他手), Firas Al-Lateef (低音), Waleed Moudhafar (歌手) 和Marwan Riyak (鼓手) 在2001年创建于巴格达。他们于2007年逃离伊拉克，辗转至叙利亚，最后定居于土耳其。
文章开头所说的高超公关手段，是因为他们通过巴格达电视台播放一部重金属音乐的纪录片，向外界介绍他们，最后获得粉丝和好心者的捐助，才有能力逃离伊拉克。(别忘了加分哟！)

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